
UP
& COMING; part 1 and 2
(Galerie Articule, Montreal, 1999; Saw Gallery, Ottawa, 2000)
A telephone answering machine project in which artists from all over the world were invited to call the gallery using toll free telephone lines and calling cards. Their messages were heard live in the gallery and nearby hallways and also recorded in an archive which could be consulted in a 'listening room' in the gallery. In Montreal (3-month event) the recording was done using a cassette answering machine system whereas in Ottawa (1 month event) the recording and archiving was entirely digital, with audience interaction through a computer interface (highlights CD published).
audio excerpts and installation images

A Theatre of Presence:
Mindy Yan-Miller; Isabelle Bernier; Michael Fernandes; Andrew Forster
(Beaverbrook Art Gallery, Fredericton, 1999)
Group exhibition
using the installation work of four artist to explore notions of the performative
versus the monumental within contemporary installation practice. Compares
the installation work of Mindy Yan-Miller, Michael Fernandes and Isabelle
Bernier by way of exploring the pitfalls of the institutionalization and comodification
of installation as an international style. Can installation maintain its provocative
presence now that it has become such a widespread and slickly practiced discipline?
The article compares the work of Boltanski with artists who have used his
stylistic permission in their own work. It also explores the theatrical space
that installation occupies and the accepted notions of time and truth as they
play in that space making reference to the theatre of Beckett and Peter Brook
and Trinh T Minh-Ha's examination of documentary film. The text makes a distinction
between work of a monumental character and work which is more performative
or discursive in nature as having a fundamentally different relation to mortality.
(Burning Editions publications)
text excerpt

Toby
MacLennan: How Will I Know I'm Here
(Galerie Articule, Montreal, 1994)
Presentation of internationally know filmmaker, writer, performance-artist Toby MacLennan's most recent film-installation. An 80 page full-colour catalogue documents the film and includes extensive information about three previous film works (Burning Editions publications).

Michael Fernandes: Sensible
(Galerie
Articule, Montreal; 1992)
Solo exhibition of installation by this nationally-known artist. A 56 page catalogue including an extensive artist's project was produced for the exhibition (Burning Editions publications).

Ron Huebner: Need Me Like I Need You
(Galerie
Burning, Montreal; 1993)
Installation by Amsterdam-based sculptor took place in a storefront commercial space in downtown Montreal. A 32 page full-colour catalogue was produced for the exhibition (Burning Editions publications).
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